Composition wise, this photograph taken at the Lincoln Memorial sums up this blog post in one photograph. Fujifilm X100S, 1/30 @ f8, ISO 400.
I have been thinking about composition lately and wondering if there was more to it than the rule of thirds.* More to the point, how do I articulate composition beyond the rule of thirds.
Com•po•si•tionnoun : The way something is put together or arranged : the combination of parts or elements that make up something.
Every lecture on composition I've ever heard discusses the rule of thirds. Heck, the one semester I taught the basic photography course at Temple University it was the first thing I talked about after shutter speeds and f-stops. And it seemed to come up over and over even when I was teaching advanced classes.
We are all are aware of composition even if we don't know it. Why does some art appeal to us and something very similar does not? I bet in many cases it comes down to composition or as the above definition states, the arrangement of elements.
Think three-dimensionally. In this photograph of passengers entering the Foggy Bottom metro I used the rule of thirds to both place the subjects in upper right and the three diagonal lines of the escalators to draw you in to the frame. Fujifilm X100S, 1/250 @ f8, ISO 400.
But as my mind wondered I thought there had to be something beyond the rule of thirds. And how could I share what it is I think I understand about composition to new photographers or to photographers looking to improve. That's when I began to think of the rule of thirds as a two-dimensional concept.
So what if we went beyond two-dimensions and thought in terms of three-dimensions. What is it that draws you into a photograph? If the rule of thirds looks at the 2D surface, then it makes sense to me that the third dimension looks into the photograph from foreground to background. Think in terms of depth or layers, terms you might already be familiar with. Again, just trying to think differently.
Rule of thirds across and into the photograph is what makes this photograph of the St. Charles Borromeo Catholic Church in Arlington, Va., so appealing to me. Fujifilm X100S, 1/950 @ f11, ISO 400.
Could there a fourth-dimension in our photographs? Maybe when you wrap a subject in light or add a vignette in post production you create that fourth-dimension.
And remember to understand the rules of composition, or any rules in photography, means you can break them. I know there are some photographers that never learned the rules and yet continue to create wonderful images because they just have a sense of composition.
When you see a photograph or piece of art you like, study the composition. Over time as you take photographs you will instinctively put into practice good composition habits without even thinking about it. And as people begin to admire your work, even photographs of the mundane like my examples here, you will begin to understand why. Good composition. It will be ours, and other photographers, secret.
* The rule of thirds is a concept in which a photographic frame is divided in nine imaginary sections creating points where those lines intersect. Placing a subject at one of those points, essentially off center, generally makes for a more pleasing image.
UPDATE: For more on the rule of thirds, head over to the photographytalk website.