12 PHOTO GIFTS FOR UNDER 12 DOLLARS

Merry Christmas and happy holidays to all the photographers out there and thank you for the continued support.

Merry Christmas and happy holidays to all the photographers out there and thank you for the continued support.

It is the time of the year when we start to see all kinds of photography related gift lists, either for you to purchase or if you are lucky enough, have someone purchase for you. And I do love these lists, except that in most cases you would need to take out a small loan just to purchase a few of the items.

With that in mind, every photography or photography related item on my list this year is under 12 dollars and over the next 12 days, I'll add one item each day*. Think of it as the 12 days of Christmas, only without any partridges or pear trees, which even though they might be the cheapest item on that list, would certainly be more than 12 dollars. 

Day Twelve

Ok, technically this is more $12, but since it is under $10 per month, I'm going to make it the final item on my list of 12 gifts. When Adobe switched to the Creative Cloud they took a lot of heat from a community used to making one-time software purchases. And at the start pricing, and a lot of misunderstanding was an issue. That all changed when the photographer's plan was introduced and now I recommend this all the time, even to those who consider photography a hobby. If you are still using an old version of Photoshop or Lightroom, please consider upgrading. You will not regret it. Besides, if it doesn't work out, cancel and go back to using whatever the last version of Photoshop you own. Let's just hope it is newer than version 3.0.


Day Eleven of Twelve

I still can't believe this item is under $12. I was looking to purchase a second tripod plate prior to a trip to the Great Smoky Mountains and came across this L-bracket and couldn't believe it, especially given that I have previously looked at camera specific L-brackets, but couldn't justify spending between $150 and $200. Let's just say I was skeptical. I may go into more detail about this item in a future blog post, but for now, I can say this product is well-made and works perfectly fine with both my DSLR and Fuji x100s. Don't hesitate on this!


Day Ten of Twelve

This is another one of those items you will never think about until you need it. In fact, you will probably get tired of seeing it in your bag and be tempted to leave it behind. Don't. My suggestion is to find that little-used pocket in your backpack or camera bag and just stick one there for a rainy day. Sorry for that, but not sorry for recommending it. You won't regret it.


Day Nine of Twelve

There are all kinds of carabiners on the market and many are under $12, although not all of them have the screwgate feature which adds an extra level of security when closed. You may be wondering how this item relates to photography, even though you have to admit it is just plain cool. This is another piece of equipment that I alway have with me and use it all the time to secure my backpack or gear to a fixed object, whether flying, on a boat or in an open vehicle. I can't imagine watching as my camera bag goes in one direction while I'm traveling in the other. Additionally, when it is attached to a backpack, you can run your camera strap through it and not worry about the camera slipping off your shoulder. 


Day Eight of Twelve

Now is the time to think about how you are going to organize all the items on this list, whether it is cables, batteries, cleaning cloths or the Lens Pen. There are of course more expensive storage bags and then again you could just put everything sandwich bags, but for under $12 these are a great solution. Bonus tip. Since they are assorted colors, use them for rechargeable battery management, charged and ready in the yellow bag and used in the red. Of course it is still a good idea to always have sandwich bags on hand, but that's another blog post.

 

Day Seven of Twelve

Like many of the items on this list so far, you can never go wrong with giving a photographer a microfiber cloth. I know your strategy is to pick these up at trade shows and I don't fault ou for that, but under $12, what do you have top lose by actually purchasing them. Besides, they don't last forever, so that microfiber cloth you picked up from the Nikon booth at PhotoPlus in 2013, is probably ready to be replaced.

 

Day Six of Twelve

This is the original Joby GorillaPod and for under $12, you just can't go wrong. Admit it, from the beginning you thought this looked silly and was one of those gadgets you carried around and never used, until one day you just stopped carrying it altogether. Give it another try, it takes up almost no room, is light and granted, this version will not support your DSLR, but what about a strobe or a GoPro or... You get the point. 

 

Day Five of Twelve

This "doohickey" is another item on the list (and won't be the last) that at first may not seem like a photo gift, but how many times have you gone to fasten a tripod plate to your camera and realized that you don't even have loose change in your pocket. And thanks to the terrorists, you may not even have a multi-tool with you, especially if you had to fly somewhere. Well, this item is perfect to keep clipped to your backpack, camera bag or use it as a keychain. You'll forget it's there until you need it and for the price, you could order three and still be under $12.

 

Day four of Twelve

In a recent post, I wrote about peace of mind while on a photo shoot or traveling with your gear. These small locks are perfect for securing everything from zippers on your backpack to securing gear to a fixed point in your trunk. These won't stop a determined thief, but if these little lock allows me to enjoy a bite to eat, or concentrate more on my shooting when seperated from my gear, it's worth it for under $12.

 

Day Three of Twelve

This item will make any photographer on your gift list smile. And even if they already own one, having another won't make them sad. Plus, it does an outstanding job of removing dust and smudges from your lenses and filters. If you've had one of these in you camera bag for years, remember there is a limit to its effectiveness, so now may be the right time to order it again at under $12.

 

Day Two of Twelve

Gaffers tape is something you only think about when you don't have it. It's bulky, heavy and takes up space in a camera bag, which is why I'm suggesting this smaller 30-yard roll that just happens to be priced slashed and available now for under $12.

 

Day One of Twelve

You may not have known what they were called, but I'm sure you have seen them around, organizing cables big and small. Cable management is one key to good packing and also maintaining sanity while on a photo shoot. I guarantee a pack of ten will not be enough.

*I own and have used every item that appears in this post.

 

GETTING CREATIVE IN THE SMOKYS

Horizontal camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100.

Horizontal camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100.

I recently attended the Great Smoky Mountains Photography Summit in Townsend, Tennessee, and came away inspired to make better landscape photographs. 

I also came away with a new in-camera technique courtesy of Tony Sweet who during a group presentation titled "In-Camera Creative Techniques," talked about what he called a camera swipe.

Vertical camera swipe using a Nikon D4S with a 80-400 at 330. 1/1.7 @ f36, ISO 100.

Vertical camera swipe using a Nikon D4S with a 80-400 at 330. 1/1.7 @ f36, ISO 100.

To achieve this effect, set your shutter speed from one to two seconds, then move the camera either vertically or horizontally while the shutter is open. This gives you a very abstract or painterly effect.

For the examples seen in this post, I hand-held the camera and started the movement before I released the shutter and then continued on with the movement after the shutter had closed. I believe using this technique gave me a smoother look. I also tried to keep the camera moving in straight lines, but, of course, there is no reason why you couldn't try all kinds of movement, including a zig-zag pattern.

Vertical camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100.

Vertical camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100.

When planning to do the camera swipe technique I looked for straight lines, such as the trees, or bold colors of the leaves, both of which were in abundance in the Smoky Mountains. 

I also found out while scanning the landscape for the best scene in order to try out this effect, it made me concentrate on color and lines in a different way. That begins to translate well beyond a simple camera technique and can help all your photography.

Give it a try and if you like the results, don't thank me, thank Tony. Or better yet, sign up for one of his seminars or workshops and learn from the man himself.

PHOTOGRAPHING INTO THE SUN

This photograph which was taken one hour before sunset exhibits typical lens flare that causes artifacts usually in the shape of the iris. Lens flare is more common when using a zoom lens. ISO 200, f11 @ 1/500, with a Nikon 70-200 2.8 at 200mm.

This photograph which was taken one hour before sunset exhibits typical lens flare that causes artifacts usually in the shape of the iris. Lens flare is more common when using a zoom lens. ISO 200, f11 @ 1/500, with a Nikon 70-200 2.8 at 200mm.

Light is the key to photography and as we continue to chase that light, more often than not we find ourselves out during the golden hour; that wonderful time around sunrise and sunset. However, after it has risen or while waiting for it to set, we rarely point our cameras in the direction of the sun and that's a shame.  

During two recent visits to Shenandoah National Park, I found myself embracing the idea of pointing my camera into the sun and came away with some beautiful results. 

This photograph was taken one hour after sunrise from high above the valley backlit by the sun. The light shining through the early morning fog gives this image a soft, ethereal feel. ISO 200, f22 @ 1/400 with an Nikon 80-400 4.5/5.6 at 400mm.

This photograph was taken one hour after sunrise from high above the valley backlit by the sun. The light shining through the early morning fog gives this image a soft, ethereal feel. ISO 200, f22 @ 1/400 with an Nikon 80-400 4.5/5.6 at 400mm.

One reason, of course, you might avoid shooting in the direction of the sun is lens-flare, but perhaps that is the exact reason you should keep shooting. Traditional we have been told that lens-flare is a mistake, something to avoid, but more and more I'm seeing it used as an artistic effect. I believe it can add an authenticity to a photograph, almost like you did make a mistake, as if you suddenly turned around, grabbed your camera and fired off a frame.

Another reason that you might avoid shooting in the direction of the sun is that it tends to produce flat, monochromatic images. However, it is just that lack of contrast that can give a photograph an otherworldly or ethereal feeling. A sense of being overexposed, but in a good way. 

The sun, just out of the frame at right one half hour before sunset produced this unexpected pinkish hue. Shooting into the light can often result in flat, monochromatic images. ISO 200, f4.5 @ 1/80, with a Nikon 300 2.8.

The sun, just out of the frame at right one half hour before sunset produced this unexpected pinkish hue. Shooting into the light can often result in flat, monochromatic images. ISO 200, f4.5 @ 1/80, with a Nikon 300 2.8.

Don't get me wrong, sometimes lens-flare and flat imagery is not desired, otherwise we could all throw away our lens shades and only purchase inexpensive zoom lenses and place cheap filters on them. 

Keep in mind a few things when shooting into the sun. Use live view instead of looking through your DSLR camera, especially with a long lens. Set your camera to manual mode, both exposure and focus, so you control the effect, otherwise the camera will try to compensate for your "mistake."  

So the next time you are waiting for the sun to set or turning your attention elsewhere after the sun has risen, keep shooting. And if you quickly dismiss a photo because of lens-flare while editing, go back and take another look, you might be surprised.

PHOTOGRAPHER'S PEACE OF MIND

The PacSafe Backpack and Bag Protector is the perfect way to secure a camera bag. 

The PacSafe Backpack and Bag Protector is the perfect way to secure a camera bag. 

I've been a victim of camera theft. I had a camera bag taken from an unlocked car in my driveway; it was a horrible feeling. I lost just about everything and it didn't matter that it was my fault, the fact remained that if you have your cameras stolen, it will pretty much ruin your day, your trip, or just maybe your livelihood.

Maybe it was that long ago feeling that still makes me incredibly nervous, sometimes to the point of anxiety, when I have to leave camera equipment in my car, that had me searching for the best solution to keep it safe.

And minimizing the ability of someone to relieve you of your gear, whether it's in your car, on a train or back at the hotel, will give you the peace of mind to concentrate on taking great photographs or enjoying a meal during down time.

The Thinktank Airport security bag has both a lock and a built it cable that allows you to secure the bag to a tie down point in your car. You can also run the cable through handles of other luggage and secure them as well.

The Thinktank Airport security bag has both a lock and a built it cable that allows you to secure the bag to a tie down point in your car. You can also run the cable through handles of other luggage and secure them as well.

Even if you plan on carrying all your cameras and lenses on your person, you certainly aren't going to carry your laptop, hard drives, and other peripherals.

So what can you do to decrease the likelihood of theft? Decrease, because nothing will stop a determined thief, especially if they have time.

1. Many camera bags or equipment cases can be locked, so take advantage of that. I use a Thinktank roller bag which has a cable that allows me to secure the bag to an immovable object, like a tie down point in my car.

While a trunk seems more secure than an SUV or hatchback, it's still no guarantee that your equipment is any safer. Out of site is good, but it doesn't mean out of mind.

While a trunk seems more secure than an SUV or hatchback, it's still no guarantee that your equipment is any safer. Out of site is good, but it doesn't mean out of mind.

2. For camera bags that do not have built-in locks, I've found the PacSafe Backpack and Bag Protector to be the perfect solution. Realize that a thief can still reach zippers through the mesh, so I use an additional lock on the compartment where I keep items that could be removed, such as keys, a hard drive, flashlight, etc. The PacSafe also has a cable that can be secured to a fixed object.

3. When I leave my computer back at the hotel or am working in a press room, I use the Kensington Security Cable with a key lock. For a few dollars more you can get the combination lock version.

Final advice is to be aware of your surroundings. If you are at a location known for photography, it pretty much is a given that you have gear in your car. And while you could bring less gear and travel lighter, you've invested in it and after all the effort to get to the best location, you don't want to be without it.

Video demonstration of the PacSafe.

TIME TO REVISIT OVERLOOKED PHOTOGRAPHS

The final image of Mt. Denali edited in Adobe Lightroom CC and converted to black and white.

The final image of Mt. Denali edited in Adobe Lightroom CC and converted to black and white.

When I read the recent news about the name change of Mt. McKinley in Alaska to Mt. Denali, I remembered taking a photo through the window of a U.S. Coast Guard P-3 Orion late last year following an assignment in the Arctic.

After locating the photos on my hard drive, I quickly realized why I never bothered to process them at the time. They were bad. There was little color, no contrast, and very flat light. That was before I even bothered to notice all the dust spots. Nothing to get excited about here, right?

The original raw image seen at left was shot with a Nikon D3S and 24-70mm f2.8 lens zoomed to 70mm, at 1/400, f13 with an of ISO 250. Final image is at right.

The original raw image seen at left was shot with a Nikon D3S and 24-70mm f2.8 lens zoomed to 70mm, at 1/400, f13 with an of ISO 250. Final image is at right.

Still, I did shoot in Raw, so I really had nothing to lose by bringing the photos into Adobe Lightroom CC and seeing if anything could be done to rescue them. After a few minutes of editing, something wonderful began to appear.

I am continuously amazed by the power of image editing software, especially Lightroom CC. Not only is it powerful software, but it is really easy to use and incredibly intuitive. While I use Adobe Photoshop CC as well, I find myself using Lightroom more and more as my primary image editing choice.

Lightroom has a very good spot removal tool, but because of the amount of clean up needed in this photo, I switched to Photoshop and used a combination of the spot healing and clone stamp tools.

Lightroom has a very good spot removal tool, but because of the amount of clean up needed in this photo, I switched to Photoshop and used a combination of the spot healing and clone stamp tools.

However, when you combine the two programs then you have the ability to do some amazing things. Adobe realized this and now offers a photography plan where you get both programs for $9.99 a month.

Getting it right, or at least closer than I did with this photo, in camera is still the best thing you can do. But it also doesn't hurt to go back and see if you can turn those overlooked photos into something wonderful.

Online resources:

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